基於對「Aenokoto」的調查和與當地人關於土地記憶的訪談中，他使用從Okurazarae倉庫開放企劃獲得的「物品和證據」作為素材製作了裝置藝術作品。 並以結合人們和物品的「節慶」的概念進行肢體表演。他們感念到 因世界疾病大流行造成了人與人之間的距離感，將人們心裡共同願望為故事題材提問社會的未來走向。

Based on research on Aenokoto and conversations with local people relating to the soil’s memory, this installation was developed using material “items and evidence” from the Okura Zarae. The artists also stage a performance based on the concept of a “festival” of people and things. With the sense of isolation created by the pandemic in mind, a common wish develops into a story by questioning the ideal future society.