Artist：Umeda Tetsuya（Japan）
Title：Away
作品プラン
該場館原為養蠶設施。構築這座空間的裝置作品，是以建物本身具備的功能與特色，在周圍環境音與天候影響之下，緩緩的隨著時間不斷產生的有機性變化。這座建物中早期使用過的工具、運作和廢棄的日用品，都成為作品的一部份。
The site is a former silkworm facility. The installation, composed of the space, continues to slowly and organically change over time. It is influenced by the original functions and features of the building, as well as factors such as the sounds of the surrounding environment and the weather. The building’s former tools and activities, and its disused items from daily life, are also a part of the work.
Umeda Tetsuya（Japan）
以建築物的構造和周圍的環境為媒材組成裝置，在美術館和博物館、另類空間或戶外等，創造一個只有當時當下才能感受到的時空演出。在肢體表演方面則在日本國內外發表了邀請觀眾去鮮少踏足的場域做作品巡迴展覽、聚焦劇場功能的舞臺作品、沒有中心點的合唱項目演出等。
近幾年的個展、公演有「梅田哲也in別府『O滯』」（別府，2020-2021年），「歌的起源」（福岡市美術館，2019-2020年），「河畔散步」（京都中央信用金庫舊厚生中心，2022年），「9月0歲」（高槻現代劇場，2022年）等。
He creates installations inspired by the structure of buildings and the surrounding environment, and renders time as a phenomenon that can only be established on site in art museums, museums, alternative spaces and the outdoors. In terms of performances, he has presented tour works that invite the audience to unfamiliar places, stage works that focus on the function of the theater, and choral projects that do not have a central point.
Recent solo exhibitions and performances include "Tetsuya Umeda in Beppu 'Zero Tai'" (Beppu, 2020-2021), "On the Origin of Voices" (Fukuoka Art Museum, 2019-2020), "River Walk" (Kyoto Chuo Shinkin Bank, former welfare center, 2022) and "September 0 years old" (Takatsuki Gendai Gekijo, 2022).
Riverwalk, 2022. Photo by Yuki Moriya. Courtesy of Kyoto Experiment
Ringo, 2017. Photo by Yoshisato Komaki. Courtesy of SIAF2017
