Artist：Umeda Tetsuya（Japan）
Title：Away
作品プラン
会场为原养蚕机构。构成空间的装置，受到建筑物原有的机能与特征、周围的环境音与气候的影响，历经漫长的时间，持续着有机的变化。该建筑物中曾被使用过的物品、出现过的行为、以及废弃的日用品全都成为作品的一部分。
The site is a former silkworm facility. The installation, composed of the space, continues to slowly and organically change over time. It is influenced by the original functions and features of the building, as well as factors such as the sounds of the surrounding environment and the weather. The building’s former tools and activities, and its disused items from daily life, are also a part of the work.
Umeda Tetsuya（Japan）
梅田哲也根据建筑结构和周围环境的灵感制作装置艺术作品，在美术馆、博物馆、非传统空间和户外场所展示，创造出只有在现场才能直接发生的时间现象的作品。表演方面，在国内外发表了一些旨在邀请观众前往一些不寻常场所的巡回作品、聚焦于剧场功能的舞台作品以及没有中心点的合唱项目等。
近年来，他的个展和公演包括“梅田哲也 in 別府《Ｏ滞》”（别府，2020-2021年）、《歌曲的起源》（福冈市美术馆，2019-2020年）、《河畔步道》（京都中央信用金库 旧厚生中心，2022年）、「9月0岁」（高槻现代剧场，2022年）等。
He creates installations inspired by the structure of buildings and the surrounding environment, and renders time as a phenomenon that can only be established on site in art museums, museums, alternative spaces and the outdoors. In terms of performances, he has presented tour works that invite the audience to unfamiliar places, stage works that focus on the function of the theater, and choral projects that do not have a central point.
Recent solo exhibitions and performances include "Tetsuya Umeda in Beppu 'Zero Tai'" (Beppu, 2020-2021), "On the Origin of Voices" (Fukuoka Art Museum, 2019-2020), "River Walk" (Kyoto Chuo Shinkin Bank, former welfare center, 2022) and "September 0 years old" (Takatsuki Gendai Gekijo, 2022).
Riverwalk, 2022. Photo by Yuki Moriya. Courtesy of Kyoto Experiment
Ringo, 2017. Photo by Yoshisato Komaki. Courtesy of SIAF2017
