Artist：Keiji Uematsu（Japan）
Title：Invisible Energy-Between Heaven and Sea and Earth
作品プラン
11月中旬至12月期间，北陆地区有时会狂风大作电闪雷鸣，在石川和富山一带，人们将这种气候称为“鰤起”。闪电落入珠洲冬日大海的瞬间，伴随着电闪与雷鸣，让人感受到平日难得一见的、自然能量的巨大存在。 长年扎根于珠洲大地却倒下的神木也融入这件装置作品，让人切身感受到巨大的时空交错。
From mid-November through December in the Hokuriku region, fierce winds blow with days of violently rumbling thunder. In places including Ishikawa and Toyama prefectures, this phenomenon is known as buri-okoshi, or “waking the yellowtail.” When thunderbolts strike the winter sea in Suzu, they are accompanied by flashes of light and peals of thunder. It is a moment when one feels the presence of a great natural energy usually invisible to the eye. Incorporating a sacred tree that spent many years growing its roots in the soil of Suzu before later falling, this installation lets the visitor experience a great convergence of time and space.
Keiji Uematsu（Japan）
於1947年出生於兵庫縣。 是位美術家。1975年渡德。之後在歐洲各地舉辦展覽會，活躍在國際上。1976年斯德哥爾摩現代藝術博物館、1981年PS1、紐約舉辦個展。為1988年威尼斯雙年展日本代表。1997年、2006年西宮市大谷紀念美術館舉辦個展。2003年北九洲市美術館舉辦個展。2001年「Performing for the Camera」（面對鏡頭表演）泰特摩登，倫敦。2013年獲得中原悌二郎獎。2021年「接觸無形東西的方法-直觀」蘆屋市美術博物館舉辦個展。此外，日本國內外舉辦、參加許多個展、團展。主要收藏他的作品有兵庫縣立美術館、西宮大谷紀念美術館、國立國際美術館、神奈川縣立近代美術館、卡地亞現代藝術基金會、布來梅美術館、MoMA NY等。現在，他在箕面市和杜塞爾多夫兩地擁有工作室，繼續著製作和發表。
他總是不斷地構思要如何製作讓世界的構造、存在意義、相互關係這些看不見的關係更加視覺化，好引導人們發現其奧妙。
他有時是對物品與物品之間的重力、引力等無形卻普遍存在生活四周的力學法則發出關心，或者是很單純地對原始性的東西和宇宙性的力量感到興趣。 然後對被自然、地球、宇宙等包圍的人類存在意義提出疑問。
主要展览经历包括
-2022年『超收藏展99個故事』大阪中之島美術館
-2022年『植松奎二請來到我們的荒唐無稽之旅–能看見的夢想』鹿兒島縣霧島藝術之森
-2021年『植松奎二的看不見的東西的觸碰方式-直觀』蘆屋市立美術博物館
Born in Hyogo in 1947. Artist. Moved to Germany in 1975. Since then he has held exhibitions all over Europe and is active internationally. Held solo exhibitions at the Museum of Modern Art, Stockholm, in 1976, and at PS1, New York, in 1981. 1988 Japan representative at the Venice Biennale. Held solo exhibitions at the Otani Memorial Museum of Art, Nishinomiya City, in 1997 and 2006. Solo exhibition at the Kitakyushu City Museum of Art in 2003. "Performing for the Camera" Tate Modern, London, in 2001. Received the Teijiro Nakahara Award in 2013. Solo exhibition "Ways of Touching the Invisible=Intuition" at Ashiya City Museum of Art and History in 2021. Many other solo and group exhibitions in Japan and overseas. His major public collections include the Hyogo Museum of Art, the Nishinomiya Otani Memorial Museum, the National Museum of Art, Osaka, the Museum of Modern Art, Kanagawa, the Cartier Foundation for Contemporary Art, the Bremen Museum, MoMA NY, and others. Currently, he has studios in Minoh City and Düsseldorf, where he continues to produce and present works.
He has always wanted to discover something by making the structure, existence and relationships of the world more visible, and to make the invisible visible. Sometimes it comes from an interest in invisible universal forces such as gravity and attraction that exist between objects, or a simple interest in primordial things and cosmic forces. It is also an inquiry into human existence, which is surrounded by things like nature, the earth and the universe.
Representative exhibitions
-『Hello! Super Collection 99 untold stories』2022 Nakanoshima Museum of Art, Osaka
-『Keiji Uematsu An Invitation to α Nonsensical Journey ー Dream of Seeing』Kirishima Open Air Museum
-『Keiji Uematsu Ways of Touching the Invisible= Intuition 』 Ashiya City Museum of Art and History
撮影：Takuma Uematsu
《見えない力ー天と地の間に》「ナンセンスな旅への招待―みることの夢」、霧島アートの森（鹿児島）、2022年
撮影：Takuma Uematsu
《枝とともにーエネルギーに触れる》「ナンセンスな旅への招待―みることの夢」、霧島アートの森（鹿児島）、2022 年
