OBI〈日本〉　

ドリフターズ

Artist：OBI （Japan）　
Title：Drifters

Photo：Keizo Kioku

“大仓Zarae”收集了大量用于珠洲风俗“Yobare”的红色御膳。艺术家在博物馆内的两个地点展示了他的作品，将它们比作多年来被冲上岸的漂浮物体（=漂流者）。空间里摆满了承载着这片土地记忆的民俗器物，给人一种在地生活方式和文化的感觉。这件作品由大量的红色漆器组成，给人一种每一件作品都有故事和历史的感觉。

Okura Zarae collected many household items, including red lacquerware trays used for Yobare, an old Suzu custom. These relics, over time, have drifted to the museum. It’s an installation where you can experience the history and food culture of Okunoto through a collection of various tools arranged as though you were going through a vast storehouse.

OBI〈日本〉　

4K

Artist：OBI （Japan）　
Title：4K

作品プラン

调查研究时发现的“蛸岛剧场”在其经营期间，电影院这一存在，不仅是人们观看电影的娱乐场所，还是一个街道信息站，男女老少皆可在此交换信息，观看新闻影片等。距离“蛸岛剧场”一步之遥的民宅被整个当作电影院，使用其四个房间，根据各个影片主题，打造体验型的屏幕。对“蛸岛剧场”进行期间限定的复活，令其成为一个媒介设施，让人们不仅可以感怀往日的美好时代，还可与作为表演者的移居者一起重温过去，思考未来。

OBI discovered Takojima Theater while doing research. While in operation, the theater existed not just as a place for watching movies as entertainment, but also as an “information station” for the town, where people of all genders and ages gathered to watch news films and exchange information. A private house just a stone’s throw from Takojima Theater is turned into a movie theater, with four rooms used to create interactive screens based on different themes from films. For a limited time OBI will restore Takojima Theater as a media center where, without merely feeling nostalgia for the “good old days,” visitors can contemplate the future while reliving the past together with immigrants taking on roles as performers.

撮影：木奥恵三
《ドリフターズ》第2回奥能登国際芸術祭（石川）、2021年　

《サク サク　saku saku》建築のアルゴリズム展：日常に潜む同異性、リトアニア、2022年