Artist：Yoshitaka Nanjo（JAPAN）
Title：The Ocean of Afterglow,
Photo：Keizo Kioku
會場中央部分鋪滿從珠洲古代地層挖出來的沙子，沙子上擺設著木船、舊鋼琴等配上影像照射。與家居用品一同搬運來的舊帳本上用毛筆寫著和歌和俳句。受到詩歌的啟發，作家從隨時間和情況不斷變化卻不曾改變的景色與人們對這片土地的熱愛中尋找並激發人們對土地和舊物的記憶。
Sand dug from Suzu’s ancient geological formations is spread in the center of the venue. A wooden boat, an old piano, and other such items set the stage for the artist to project images. Found among the collected household items was a notebook with Waka and Haiku poems written in black ink. Inspired by the poetry, the artist takes clues from scenery and impressions that remain the same despite changes in time and situation to expose memories of land and old objects.
・制作年 2021年
・展示 大谷エリア｜スズ・シアター・ミュージアム
・マップコード(カーナビ入力) 329 875 719*30
・公開 10名様以上のみ事前予約でお一人様800円
Production year 2021
Exhibition Area Otani｜SUZU THEATER MUSEUM
MAPCODE (GPS input)｜329 875 719*30
Yoshitaka Nanjo（JAPAN）
1977年出生於香川縣。 2002年畢業於東京造型大學研究科後，主要在東京工作，2016年移居和歌山。他進行採訪時，不僅只採訪當地現有狀況，他還從歷史的角度進行考察後才使用當地的土壤製作多層次繪畫和裝置藝術作品等。2016年以後，他以土、砂為主要材料，配上聲光打造一個懷舊空間，為劇場型的裝置藝術作品確立了新的表現方法。
近年來，除了阪出市民美術館（香川）的個展之外，還參加了瀨戶內國際藝術節（香川）、奧能登國際藝術節（石川）等藝術節。
Born in Kagawa Prefecture in 1977. After graduating from Tokyo Zokei University in 2002, Nanjo worked mainly in Tokyo until he moved to Wakayama in 2016. He considers each prospective site not only in its current state, but also from a historical perspective. He then uses local soil to create multi-layered paintings and installations. Since 2016, he has established a new style of theatrical installation using soil and sand as his primary materials then adding sound and light to create a work evoking a sense of nostalgia. In addition to his private exhibition at the Sakaide Citizen Museum (Kagawa), he recently participated in art festivals such as the Setouchi Triennale (Kagawa) and Oku-Noto Triennale (Ishikawa).
坂出市民美術館『透ける表層、漂う大地』2019年
Photo by 石田靖樹
奥能登国際芸術祭2017『シアターシュメール』
Photo by Keizo Kioku
