preloader image

三宅砂织〈日本〉

《失踪的阴影 59-1》《海景 (株洲)》《无题》

Artist:Saori Miyake(JAPAN)
Title:“The missing shade 59-1”“Seascape Suzu”“Untitled”

img

Photo:Keizo Kioku

作品以沉睡在大藏的家的船屋里的木船的部件和照片为起点,围绕珠洲的海和船的印象展开。在配置了船的旧材料的空间里,展开了仿佛放眼过去和现在的海景和盐结晶的影像,以及相片图组合的装置艺术。探索我们目光中的“绘画性图像”,以多声的方式浮现出来。

This work, which revolves around an image of the sea and boats of Suzu, originated with photos and parts of an old wooden boat found dormant in the boathouse where the Okura Zarashi took place. The artist develops a video installation that combines photographs and photograms of past and present vessels in a space with old boat materials. We explore the “picturesque image” in our eyes and let it emerge in a multidimensional manner.

-Information-

・制作年 2021年
・展示 大谷エリア|スズ・シアター・ミュージアム
・マップコード(カーナビ入力) 329 875 719*30
・公開 10名様以上のみ事前予約でお一人様800円

Production year 2021
Exhibition Area Otani|SUZU THEATER MUSEUM
MAPCODE (GPS input)|329 875 719*30

ARTIST

三宅砂织〈日本〉

Saori Miyake(JAPAN)

从2003年开始,开始制作在透明薄片上画出多个素描,在相纸上重叠曝光,然后将素描的影子冲洗出来的照片。尝试着从人们的目光中多声音地提取超越时代的内在的“绘画性的图像”。
近年的展览包括2019年的“MOT年报2019 Echo after Echo:假之声,新之影”东京都现代美术馆(东京),2018年“第20届”DOMANI·明日展”国立新美术馆(东京)、2017年“ArtMeets04田幡浩一/三宅砂织”艺术前桥·画廊1(群马)等。

Around 2003, she began producing photograms in which she draws several drawings on transparent sheets of paper which are then superimposed on photographic paper and exposed to develop the drawing’s shadows. An attempt is being made to extract a polyphonic "picturesque statue" of what is inherent in people's gazes. Recent exhibitions include the Museum of Contemporary Art Tokyo in 2019 "MOT Annual 2019 Echo after Echo: Summoned Voices, New Shadows" (Tokyo), the National Art Center in Tokyo in 2018 "20th DOMANI: The Art of Tomorrow Special Exhibition" (Tokyo) and Arts Maebashi Gallery in 2017 "Art Meets 04 Koichi Tabata/Saori Miyake" (Gunma).

これまでの作品

PREVIOUS WORKS

img

展示風景『Gerden(Potsdam)』
Photo by 森田兼次 

img

『The missing shade56-1』2019年