Artist：Liu Jianhua (CHINA)
Title：Drifting Landscape
Photo：Kichiro Okamura
這是一部將中國第一陶都景德鎮的瓷器和日本中世紀代表的陶瓷珠洲燒陶器混放，表現出對與大陸的交流和文化管道提出疑問的作品。 在2017年第一届藝術節上，將作品彷彿隨海漂流過來般在見附島附近海岸一字排放。現在則將地點轉移到珠洲燒資料館做永久展覽。
The artist questions our culture and relationship with the mainland through a mixture of porcelain from Kyungdeok-jin, China's leading pottery city, and Suzu-yaki pottery, representing medieval Japan. At the first art festival in 2017, the pieces were lined up on the beach near Mitsuke Island as if they had drifted up from the sea. It is now a permanent installation at the Suzu-yaki Shiryokan (Suzu-yaki Museum).
Photo by Qing Zhu Wiug
Liu Jianhua (CHINA)
1962年出生於中國江西吉安市。 在以陶窯地聞名的景德鎮從事陶瓷工作，之後考上在東洋最大的陶瓷大學—景德鎮陶瓷學院。1989年畢業後，他一直使用陶瓷器技術，製作反映出中國擁有悠久歷史，卻一直受到不穩定的經濟與社會問題困惱的作品。
在莫斯科雙年展2007、雪梨雙年展2010、光州雙年展2012（韓國）、美術館和畫廊等地發表了許多的作品，是個活躍在國際上的中國代表性現當代藝術家。日本除了2005年在「東亞現代美術」（東京、森美術館）2015年「大地藝術節越後妻有藝術三年展」上展出外，還有作品在十和田市現代美術館長期展覽。
Born 1962 in Jiangxi Jian, China. He started working in ceramics at Jingdezhen, a famous pottery pottery, and studied at Jingdezhen Ceramics Academy, the largest ceramic university in the Orient.
After graduating in 1989, he consistently used ceramics and created works reflecting the country's unstable economy and society with a long history. He is one of the contemporary artists representing the internationally active China, with many presentations at the Moscow Biennale 2007, Sydney Biennale 2010, Gwangju Biennale 2012 (Korea) and museums and galleries. In Japan, he exhibited at the 2005 "East Asian Contemporary Art" (Tokyo, Mori Art Museum) 2015 "Echigo-Tsumari Art Triennale", and has a permanent work at the Towada Art Museum.
『白紙』2009-2014年
Echigo-Tsumari Art Triennale『捨てられたもの』2015年
Photo by Ishizuka
